Working in constant dialogue with pulse, form and ‘freeness’, Period Pieces represents a joyous return to collaborative creativity after a dearth of opportunities for improvisers Eric Hofbauer (guitar/electronics), Dylan Jack (drums), Tony Leva (bass/electronics) and Jerry Sabatini (trumpet) to work together. Although resembling the line-up of the Dylan Jack Quartet, a project that has recently focused on recording Jack’s own compositions, here, it’s shimmied around to create a wholly different sound. Four musicians come together, first and foremost as listeners, and each brings a distinct musical personality to the party. Though it might not seem it at first, at the record’s heart is a joyful sense of letting go. “Dylan organized the studio date and presented this idea to reunite and just improvise. At the core, this made the album a collaborative session, where everybody brought ideas and a willingness to experiment to the table,“ says Hofbauer. For Hofbauer, the space afforded and encouraged a foray into the world of pedals and electronics, opening up a sound world full of gnarly possibility and transmuting his clean sound into something capable of more gory, overdriven timbres. The compositions that result all orbit around ideas of pulse, moving in and out of focus as a way of generating tension, release and eventual consonance. “Spontaneous arrangement” might be a way of describing the loosely planned structures, although considerable efforts are made in post-production to shape the whole sound. “The whole album creates a longer narrative – its almost a suite more than a collection of tracks,” says Hofbauer, as ‘Sighs in the Millions’ immediately sets the scene; ambiguous pulses crop up through the spacious opener. That scene flips as ‘Awake-Again’ begins, bringing the
quartet’s conversational improvised lines within the confines of a noir groove, breaking down even further as Hofbauer’s frenetic soloing shines and harmonica-like growls of Sabatini give a long-lasting anguish to proceedings. ‘Tread Lightly’ picks up that deconstruction, based on a
premeditated drone loop, and featuring his own modified slide that casts in many musical directions from Robert Johnson to Penderecki’s squealing white noise. ‘Tread Lightly’ is paired with its answering couplet – ‘With a Purpose’, a funereal duet between Hofbauer and Sabatini full of morose feeling. By the time the album gets to ‘Rational Instability’, “this is the sound of the ensemble peaking.” Driving grooves and fast bebop lines cascade through the lucid textures, snapping through a number of different feels to give a wholesale chaotic feel. ‘Finding Baraka’ (from Sufi meaning ‘a vessel through which force flows’) establishes an introverted reflective base level; restless grooves are stacked on top. It also captures a lot of the small-group dialogue key to the collective’s philosophy on arrangement – by exploring the possibilities of ultra-intimate combinations. Grunts of excitement in Leva and Sabatini’s duelling opening on ‘Restlessness’ eventually morph into screams of tortured extended techniques, characterful improvising and scuttling ricochets,
culminating in a tongue-in-cheek bass finish. ‘Galumphing Demons’ sees the album’s rhythmic orbit come full circle, driven by Jack, in a high-octane frenzy of distorted lines. In a word – a ruckus. “It’s an album of dialogue between listeners, as we pit space against density to create drama and momentum through the album,” says Hofbauer of the album. But there’s an inescapable human aspect to proceedings too. “It’s a communion, a coming together of colleagues and close friends that truly missed each other, and who missed creative music-making, and the excitement of those intersections.”
credits
released October 22, 2021
All Songs Composed and Arranged by Eric Hofbauer (Spice-E Music, ASCAP), Dylan Jack
(Helmet Cat Music, ASCAP), Tony Leva and Jerry Sabatini (BMI)
Produced by Eric Hofbauer (erichofbauer.com) and Dylan Jack (dylanjackmusic.com).
Recorded, Mixed, Mastered by Warren Amerman at The Rotary Records (rotaryrecords.com).
Design by Benjamin Shaykin (benjaminshaykin.com). Liner Notes by David R. Adler
(adlermusic.com).
An improvising collective crafting compositions orbiting around the gravity of groove. An electro-acoustic communion creating catharsis through waves of space, waves of sonic dialogue ranging from distant whispered echoes to gritty growling ruckus.
I was brought here after listening to a live performance of Makaya's on you tube. I instantly loved the song Holy Lands so much that I had to see if the album version was the same rendition as the live one. Then I listened to the whole album! Universal Beings is a just a groove... It's a mix of traditional and something new, very nice. pandr1900
This record has such a magical flow to it, it seems to capture so directly the ups and downs of life, the joy of music and dance, and it's just so damn catchy and fun to listen to as well. Giles
Patient yet curious, the compositions of trumpeter Ben Wolkins, played here by his Signal Quartet, highlight the group's connectivity. Bandcamp New & Notable Apr 25, 2023